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Yokohama Kaidashi Kikou review
This review only applies for the first 14 chapters of the series and it does not constitute for the overall experience of the manga itself and it will be comprised of what I liked and disliked about the manga and the reason I have had dropped it for.
But really the only thing I actually liked about this manga is the art. It's simplistic and it does look really good but other than that, it has nothing going for it. Like, it's not there's anything bad or anything good in it, there is just nothing happening. The chapters don't draw to any conclusion, there isn't any conflict, nothing to leave you thinking about, just some simple events happening. Honestly, if your favorite activity is staring at a wall, this is the perfect choice for you, because the manga is that monotone. I don't really want to be rough on it because it has nothing actually bad by any means in it, but the reason is because it has nothing actually happening. The chapters I've read are the main character drinking coffee and talking to other villagers. I suppose you could try the manga if you would like to read about how the characters in a world where most people are gone and most end up living frugally, with some robots to boot around to see how is that imagined. But other than that, this manga is as eventful as looking at a rock. Now if you look at a rock, do you expect it to move? Yeah, me either, so this is why I dropped the manga. I don't think I could recommend this manga to anyone but if a really uneventful setup interests you, with nothing to take from the entire thing, this is perfect for you.
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SHOUNEN SHOUJO ROMANCE review
Very bizarre. It's almost better to read it as if the main characters were trapped in a shoujo romcom and forced to act out the various cliches of the genre. The two leads are so trapped in their delusions, they not only impede on their own lives, but also everyone else's around them. The male lead is dummy tsun and knows it, but he constantly goes back and forth about how much he loves the main girl while hurting others. Everything the main girl does is melodramatic because that's how she believes her life should be and she can't grasp what a normal relationship should
be. It's strange because all the other characters act realistically or fairly human, the only times they step into the unreal is when one or both of the leads drag them into a melodramatic situation.
The worst part about all of this is that there's a good story and message underneath all of this, but it falls apart in the execution. I can only believe the author didn't want this to become a full-on drama to keep it under the romcom umbrella and the story suffers for this. The story should have ended two chapters before it did; it wraps up nicely with a good lesson for the characters and audience. There's real development for the main character and she has a nice moment of introspection and self-reflection, but then the author throws it all away and everyone regresses to how they had been before for the sake of a comedy gotcha. It ends as stupidly as it begins but with the rest of the cast left trying to pick up their lives where the delusions threw them out.
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Ichigo 100%: East Side Story review
Ichigo 100% East Side Story is nothing more than a short story with some of the characters from the original story, a couple years after it's ending.
If you've finished Ichigo 100% and want a little bit more of it, you might as well give this a check, since it's only 4 chapters long anyways. Having in mind that this was released a good 12 years after it's parent story, it's normal that people would want something a bit more fleshed out and consistent, but it's not. It's just a small sneak peak at Toujou's life when she meets a guy who looks quite like Manaka. But isn't. Honestly, I think this manga is enjoyable for what it is, and it was always nice to see some of the characters again after so long. Just don't go into this expecting a full fledged sequel, think of it more like a special side story and nothing more.
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Gunmania review
This short series knowns its a duck & it behaves like a duck and I LOVE it.
This is a short & simple story about a gun crazy hitman that's got a lot of mature & dark humour that's easy to get into. Art & Story are fine because this series shouldn't be taken seriously so why take the story & art seriously? Just read it, laugh at the craziness and enjoy. TYPE B series with an 8.5-9/10 rating.
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Lost+Brain review
Lost+Brain is a manga that had plenty of potential to be great. Unfortunately for us readers, it fell short, very short.
(Note: TLDR at bottom) The synopsis of the story by itself tells you how it should be written. The manga should revolve around the plot. The plot should be intricate and riveting enough to keep the readers glued to the manga. Personally, I was glued to it, for about the first two chapters. The idea behind the manga was pretty interesting. The use of hypnosis for control is, quite honestly, fairly creative. While some people do cry "herp derp death note ripoff herp derp", the concepts of hypnosis and the ability to kill anyone if you know their face and name are extremely different. The means which the protagonists use to change the world can easily be morphed into amazing storylines. You are probably wondering at this point, "what the hell does this tell me about the rating", and I'm about to tell you. Where Death Note prevailed and Lost+Brain failed was the length. When reading Lost+Brain, you get the feeling that everything is moving way too quickly. The pacing of Ren's goal to change the world proceeds too fast for the readers. The way the manga goes about makes it seem too easy. It feels like checking plot items off a list instead of masterfully weaving things together. While the ideas behind the story were good, the way those ideas were written down were bad. Everything felt cluttered and amateurish. It really is somewhat depressing to see a potentially strong manga fall flat on it's face like this. TLDR: The plot had tons of potential, but the story was too rushed to be a strong manga. Hence a 3
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Tsujiura-san to Chupacabra review
Pretty much writing this just to contradict Shamone2131's ridiculous review.
Just to sum his review up "I don't like that main girl is pretending to date the MC and beat him up! Wahh 1/10". Ok then, first of all, if the synopsis didn't give it away already, that's basically one of the running gags of the manga. It literally says she's a delinquent. The kicker here is that he read all 16 TLd chaps before complaining about how much he hates Tsujiura being violent. If that was such a deal breaker, he should've dropped it after ch.2. He wishes he could erase the manga from his brain, yet the manga told you exactly what it was going to be from the get-go. His own time wasted then. But, I digress. Let me get into a REAL review. I'll keep it brief. Kiritani Yuu is an average kid who tries to never stand out at school. His life goal is to be a longer who doesn't attract attention. Tsujiura Megumi is a notorious delinquent who transfers into the school...oh and she believes in cryptids like a diehard. Tsujiura doesn't want to ruin her nice girl persona at her new school, otherwise she risks getting kicked out again. When all is said and done, Tsujiura recruits Yuu into her fake couple plan to keep all of the creeps away. Now that the kid who wanted to be a loner is blackmailed into dating a violent, cryptid loving transfer girl, hijinks ensues. Lot's of chupacabras, lots of insanely weird characters appearing trying to cause trouble, and lots of misunderstandings. If you like crazy rom-com's with aggressive tsundere's and weird ass supporting characters, then give it a shot. It's got a unique quirky art style...and random cryptid moments. If that's your kind of thing, then give it a try. Please just don't take the angry little weebs review with anything more than a grain of salt.
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Memesis review
I'm not someone who's good with reviews too much, But I want this manga to get a good rep so here goes.
The premise creates the expectation of this story being action heavy, but instead it feels like it tries hard not write them. Which is in a way a good thing, no action is better than cheap bad action. I really liked how the author played with Hero Leon up till the very end. It felt perfect and it felt like the author made a very brave decision, not many people do that. I admire the author and it has given me the courage to make hard decisions like this in my writing. In the beginning it looked it was going to be a weak first story by a newbie writer, but with a little time the characters really grew on me. It had a very good balance between character development and consistency. As for the setting, it tried something and kept it fresh by trying out new things with it till the end.
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Darenimo Himitsu no Koimonogatari review
This manga is composed of 6 different stories. Over all,the oneshots are good, some of them don't have a satisfying art, but compensate it with the plot. However, the last two stories, A Lesson in Temptation and Platonic Porno, are nerve wracking at the end, since it gets the reader expecting for some 'action', and leaves the end kind of blank.
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The Crater review
The Crater is not just one story, but a collection of 17 different stories (with the last one being called "The Crater") of supernatural mystery.
I've read in some articles that it was made during an experimental period in Tezuka's career. He was transitioning from his adventurous and chldish-focused stories (like Lost World, Astro Boy, Kimba the White Lion etc) to write more mature content. So The Crater is an experimental work; he was trying new stuff and made a collection of short stories to see how it would go. I think this fact is the answer to my opinion on each chapter: some of them were pretty good; some others chapters, on the other hand, were so confusing that I just stared at the last page wondering what the heck was that. If you enjoy "Twilight Zone" or something of the sort, you're definitely going to enjoy reading this manga. The art is bad, but you have to keep in mind that it was drawn in the late 60s, so that was the stardard way to draw during those times.
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