Thoughts of this book

Accompany
Jan 21, 2021
Works with a simple world view are not suitable for overly complex stories, so the story of Ghost Extinction is very simple, heal his sister and kill ghosts. Killing ghosts is the main line, simple and clear. The younger sister is a hidden line, involving Wu Mi, the changes in the origin of ghosts, Tanjirou's life experience and Wu Mi's hatred, etc., giving the protagonist enough motivation and rationality to open up. In the early stage, the main character group was mainly created when solving the weak ghost and the last string. In the later stage, when the first stage was fighting with the first string, the main group members and the pillars were put together, mainly describing the pillars. In this way, the main line is linearly composed of short stories, which in turn are composed of characters' behavior and life experience. So Zhu basically can't survive two battles, no matter how popular it is, because the shaping is over. There is a big gap between this kind of reading experience and ordinary juvenile manga. The average juvenile manga does not dare to die so popular members of the protagonist group. Even if they die, they will maintain a dynamic balance of the number of companions until the end. Boss comes on stage. As for the ghost, from the beginning, there was no intention to let the characters live to the end. This crazy subtraction behavior is not like a female author at all, but she really opened her bow without turning her head back. She rushed to the end and killed her, blazing a trail in the cruel position of jump. Facts have proved that this is correct. The author's treatment of the characters equally gives readers a sense of tension to catch up, and it also ensures that the rhythm of the story relaxes. Gui Mie didn't even practice much, so he started to practice by playing as a power leveler when he came out of the mountain. The biggest advantage of Guimie is the shaping of the characters, the delicate description of the characters' personalities, and the sincerity and truth of the emotions between the characters. Although the crocodile's shots are so-so, the lines are good, and the characters have rich and natural expressions. I like Tanjiro very much. It can be said that I am the most favorite male protagonist in the young man. Tanjiro is firstly true, secondly gentle, and finally brave. It is difficult for me to find black spots on Tanjirou's body. And I can feel the undisputed love of women for this role. The head column has its own persistence and inverse scales, as well as an understanding of ghosts' feelings. Young Man is always trapped in a strange circle. Either there is no emotional communication between the two sides of the fight, or it is turned into a mouth-to-mouth battle and finally washed out. After defeat, it does not reduce the loser's personal dignity, but is a villain. The protagonist of obsession is still rare. At the same time, Tanjirou's care and pride for his younger sister really fits the image of a brother who really loves his family, refreshing and healthy.
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Kimetsu no Yaiba
Kimetsu no Yaiba
Auteur Gotouge, Koyoharu
Artiste