KAGO is a force to be reckoned with. Prepare yourself for protuberantly perverse depictions which convey over the top satirical mockeries of various themes.

Exploration of panels seems to be the primary focus. His idiomatic style shines vividly, and features a ballsy approach to the aforementioned; in a way that classic narrative is tossed away and it's all about the visual presentation. He ventures into a world in-between and behind panels and slaps us with "literary mechanisms" that we rarely even contemplate.

No boundaries are to be found, the idea is probed to extremity; which in the end results with implosion and collapse of the medium itself. All in all, a work to be enjoyed for the sheer hilarity of it, or perhaps some more profound desires.