Tenkuu Shinpan review

Eclipsa12
Apr 05, 2021
Well, it ended Tenkuu Shinpan, one of the first manga that I started reading because it caught my attention, I really regret to see how it ended.

I must say that despite everything I like the manga, but that does not prevent me from being disappointed.

There will be spoilers

The manga itself presented an interesting story, the story is about a young girl named Yuri who is transported to a world where you can only walk between buildings (or so it is at the beginning) while a person wearing masks and weapons murders all people What do you see. Well, the story presents a solid base presenting quickly and mysteriously how your world is governed which is fine, we have demonstrations of or more masks work (like when the maid mask commits suicide because his mask was broken).

The story moved at a more than decent pace, making a contrast between tense moments against the masks and moment of dialogue between the characters, the story would be fine, but in a certain part of the manga the story becomes nuy convoluted and elaborate, the presentation of the guardian angels was well achieved, because they were powerful characters that with their simple presence it was noticeable that something important was going to happen, but then the manga wants to look like a shonen of fights and stable Yuri and his brother who fight against the guardian angels more strong which removes one of the major elements of tension of the manga (it must also be mentioned that it is not as if the fight were memorable, in fact they do not present something ingenious or a key element, only simplistic explanations of how humans can fight against the guardian angels).

When the manga is ending the story, rhythm and drama decays much more, with a mediocre and hurried final combat in addition to presenting scenes that do not have much essence or feeling (when Kusakabe meets his son at the end or when Rika cries for Yuri they are scenes that feel very empty, but the death of Aikawa wins the prize, introducing us to whom he believed himself to be the main antagonist and killing him in a simple and uncomprehending way, as if it were nothing).

Manga characters can be interesting and have charismatic personalities to a certain extent, because there are some like the sniper mask or the great angel that come to have menorables moments and to be interesting without having the need to go deep into them.

The protagonist, Yuri Honjou, is the one that I consider the worst character in the whole manga, has no chemistry with other characters purs its personality is totally boring and does not generate any unpredictable dialogue or a competent dialogue for the plot, because Yuri always talks about how he wants save all and typical things of this type of manga, it would be justifiable if Yuri will present some kind of evolution, but never notice a noticeable change in it (oh if it is opaque because they wanted to put elements Badass to Yuri to do very powerful and that is noted by the approaches that put the drawing when she fights), also that throughout the first half of the series Yuri always saves because he remembers advice from his brother (which is a cheap excuse), what more decent is that she is the one that has the most credible objective to the beginning is well planned for the plot (its design is normal, but not bad).

Other characters such as Yoshida, Kuon, Kazuma (the scientist) and capable (only capable) Nise are somewhat decent for how they perform with the other characters, generating a change to the characters around them and evolve, the death of Kazuma it is the best of the manga for how it changes in the others (especially in Ain, but it's a pity that she never shows that change by making the character feel empty and unused).

others like Rise and Yoshida change in a credible way, because Rise felt for the first time a great affection towards someone, which intensifies and makes their relationship real, the only unpleasant thing about Rise is that his personality is obscured or simply afterwards it is not explored ( final is totally forgotten), besides that his past is nuy edgy, but that is passable.

Yoshida on the other hand is the archetype of character who always wants to do the right thing, very similar to the protagonist, but Yoshida in itself presents more humanity and looks a bit more like a real character, even near the end of the manga he offered his body to the administrator in order to be able to be strong and achieve their goals, realizing that what he did is wrong he sacrifices himself to save Yuri's life, which suggests that in the end the whole magician Yoshida could achieve his goal to be of great help and actually if it became strong, it is difficult to sacrifice your life for another.

Kuon is the character that generates the sniper mask can evolve a bit, generating a contrast between mask and human living in the mumdo, expanding the possibilities of mangaka to develop a relationship (also that naturally presents the fact that there are people who They can control the masks, besides that Kuon is a character that unlike most manga characters, does not decay, his personality is not spoiled or become a deus ex machina for having the strongest power of the manga, which is appreciable because at various times the tension was intact because they did not abuse that elemnto, Kuon does not present any evolution which does not seem to be something totally horrible, Kuon throughout the manga I present a lot of determination and even impact a bit with his death, but then "survive" and explain it in a decent way (and I take this parenthesis to say that the design of all these characters is nor bad, there are designs like that of the sniper mask that you have left because it combines with his personality).

This part I would like to focus on some specific characters, if I do not talk about some narrative element or character is simply because it is irrelevant, although I will use to say that the dialogue is quite mediocre, often giving unintelligent insinuations on a topic and without memorable phrases or interesting that drive the plot, because almost the whole plot advances with the action, many characters that contribute in dialogue are discarded totally (as the scientist Kazuma who contributed giving intelligent and scientific comments and the prophet who was responsible for putting together a strategy, just as Rika and the mask sniper, those characters save a bit the dialogue), returning to the subject wanted to talk about just the large number of characters that are finally forgotten, all the characters who died before are not remembered and the "antagonist" Aikawa is totally forgotten and do not even mention it, the prophet and the angel guardian fighter appear very little and u importance is minimal despite the potential they could give, the characters added near the end the only decent is Juo, with a more cruel and simplistic philosophy so that he can survive in the world, generating disputes with all the characters and even having a reflection before dying (the chapter when he dies is amazing, the drawing they make to his facial expression is incredible and that pleases because the facial expressions are not the strong of the manga, also the angle that they put to his death, falling towards the floor just behind a bottle that says "favof not vote baaura", an ironic death with a reflection at the end, very well achieved).

The drawing of the manga seems accurate, with good shots at the right time and with interesting and unique perspectives (the drawings of the landscape with all the buildings was very good), the manga has a lot of censorship and that spoils the emotion because the manga itself is not so graphic as to censor some parts (although much censorship is for the panties of the female characters), the drawing also evolved throughout the publication of the manga, which is noted and appreciated, I would say that this is the best point that has the manga because the perspectives that make everyone with all the buildings drawn is incredible, but the approaches they do are not very suitable since several only have the intention of showing panties shamelessly while in action scenes He opts for a more common plane, but when the guardian angels appear that changes radically (emphasis on the appearance of the guardian angel who was a wrestling wrestler).

The end of the manga is disappointing, all the questions raised by the manga were not even resolved in a subtle way, the final stage had been built during many episodes just for the final battle to say one or two episodes, besides that they made Yuri too powerful making no enemy seem a threat and that was reflected in the end, the emotional moment of the end were very fast which prevents me from empathizing with the characters, the dialogue is still just as concise and the end left many things open and without solution (the same thing happened to Dolly Kill Kill and Eden No Ori, they had so many topics to explore and they were wasted making a dull ending that can hardly be considered an end).

To summarize the things I would say that Tenkuu Shinpan is another case of wasted manga, few good characters, mediocre dailogo, a plot with very good base but bad development, interesting element, but little used, an interesting final scenario poorly executed and a protagonist very op , at least he had an incredible drawing and the first half is more than entertaining, that saves the manga from making it a bad work. Despite everything said, it is likely that I will remember manga because it was one of the first I read, but I would not even think about recommending it to anyone.
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Tenkuu Shinpan
Tenkuu Shinpan
Auteur Miura, Tsuina
Artiste