“Otaku” is a term that I’ve labeled myself with in the past, when I’d eagerly watch new episodes of seasonal anime that come out weekly as a getaway from hours of tedious class lectures. Fully professing as one at the peak of my teenage years, I rejected most of the reality around me and got absorbed at the 2D world in front of my laptop screen. I had friends who would identify as one and we’d chatter away during school breaks about the latest developments in the anime world. I’d start obsessing over the latest doujins and video games which caused me to neglect real life priorities. This hobby persisted up until college, where I slowly lost interest due to academic stress. I’d still come back to its comfort frequently but it’s often short-lived. Now that I’m at the end of my college days, Genshiken came at the right time and reminded me that the days I’ve spent living the otaku life wasn’t time wasted.

One striking aspect of the manga is that it holds well a sense of realism. The Genshiken members act like what an otaku would act like in real life. They are hopeless and degenerate, but the story shows the embracement of it rather than shaming it. It is self-aware about the negative perceptions about otakus, but it addresses them in a mature manner. The eccentricities are present, but they are not overbearing to the point of being annoying. Rather, the manga uses it to its advantage to present a healthy group dynamic among the cast which results to very enjoyable and hilarious moments. The manga is split into two generations: the old and the new generation.

The old Genshiken members include the enthusiastic Madarame, the timid Sasahara, the cosplay otaku Tanaka, the artist Kugayama, the normal Kasukabe, the BL-loving Ohno, the flawless Kousaka, and the otaku-hating Oguie. It’s worth noting that the manga doesn’t have an actual main character, even though we are fooled to believe that it’s Sasahara at the start of the story. What I really loved with this generation is that it manages to develop and flesh out almost all its characters. The narrative shows how the Genshiken members warm up to each other over time, even leading to romantic developments. Every activity that they bond over with builds up their friendship over time, leading to a fulfilling closure as they separate paths in the future.

The new cast for Genshiken Nidaime sees most of the old members graduating and some of the side characters in the previous generation gaining more relevance to the story. The new addition to the mix includes the crossdresser Hato and the fujoshis Yoshitaka and Yajima. There’s an observable shift in the tone of the series, as most of the gags revolve around BL. It’s also used to progress the plot as there are some immense romantic developments that are handled in a way that is not forced. It might alienate the fans of the old Genshiken gang but it’s a refreshing way to continue the story. What I also like about the reserialization of the manga is that the mangaka came back with a really improved artwork.

There are some issues I have with the manga but most of them are just nitpicks. One of which is that we didn’t see much of the campus life outside the clubroom. It could’ve help put that realism up a notch. Another one is that it derails to certain romance subplots, detours with no conclusion, and then the manga picks it up again later. There are also some characters that could’ve used more of the spotlight to make the readers more invested in them. But then again, it could complicate the plot that was already at the brink of collapsing near the end, only to be saved by a well-executed conclusion.

Overall, this is a must read for anyone who has the slightest idea what it means to be an “otaku”. It’s a well-written story that throws in typical otaku clichés and stereotypes and makes it an enjoyable and emotional reading experience. If Welcome to the NHK displays the dark side of being an otaku, Genshiken shows the fun side of it while not neglecting its drawbacks. Don’t miss out on this amazing manga.