Rainbow: Nisha Rokubou no Shichinin |
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Japanese: RAINBOW 二舎六房の七人
Auteur:
Abe, George
Taper:
Manga
Volumes:
22
Chapitres:
235
Statut:
Finished
Publier:
2002-11-21 to 2010-01-04
Sérialisation:
Young Sunday (Weekly)
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3.8
(5 Votes)
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Des alternatives:
Japanese: RAINBOW 二舎六房の七人
Auteur:
Abe, George
Taper:
Manga
Volumes:
22
Chapitres:
235
Statut:
Finished
Publier:
2002-11-21 to 2010-01-04
Sérialisation:
Young Sunday (Weekly)
But
3.8
5 Votes
|
20.00%
60.00%
0.00%
20.00%
0.00%
|
0 En train de lire
0 Veux lire
0 Lis
Sommaire
Six minors (16 or 17 years) answering to the nicknames of Joe, Mario, Suppon, Baremoto, Heitai and Kyabetsu are put into a reformatory for offences such as aggravated assault, swindle, flight, etc. Their stay in hell begins immediately. Accommodated by a doctor paedophile, they are placed under the monitoring of a despotic and brutal crew. Companions of cell of certain Sakuragi (called Anchan), the tension flares up between the band of buddies and their new "friend."
A brawl breaks out and our six prisoners are done rossés by mysterious young man thanks to his boxing talent.
The story will not only follow the lives of these seven characters surviving in their hellish environment, but also their disillusions due to the rejection by the outside world and by their close relations. This is about the extraodinary and invincible friendships between these young men.
A brawl breaks out and our six prisoners are done rossés by mysterious young man thanks to his boxing talent.
The story will not only follow the lives of these seven characters surviving in their hellish environment, but also their disillusions due to the rejection by the outside world and by their close relations. This is about the extraodinary and invincible friendships between these young men.
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Rainbow: Nisha Rokubou no Shichinin review
The absence of color pages is not striking, since the tone of the story does not claim them either. It would be different if it were a fantastic cut story where the reader, although accustomed to black and white, always appreciates a colorful note.
Regarding the graphic section, Masasumi Kakizaki's work is, in general, good. But not bright at all. There are vignettes where the bodies are disproportionate or poorly designed, for example, by placing the eyes on an impossible axis. Instead, there are very good and impressive illustrations.the adjective that best suits this situation is inconstant.But hey, this is a story where the script is much more relevant than the graphic section. A very interesting and renowned way. |
Rainbow: Nisha Rokubou no Shichinin review
In my opinion, Rainbow is not really a feel-good type of manga, so if you're looking for a good hero story to lift your spirits Rainbow isn't the story for you.
But if that's not what you're looking for I would say that Rainbow does have some of the best story arcs I have read in a long time. It's drama, mixed in with redemption, and A LOT of tragedy. It has it's really depressing moments, but the promise of a good story providing a consistent stream of adrenaline-pumping moments keeps the reader reading. Artistically its also a beautiful manga. I can't get over the awesome covers and consistency of the artwork through the whole series. My only complaint is that the grungy tone doesn't change too much (hence my score of 8/10). As with most stories where there isn't much complexity in tone, it can get a bit boring. |
Rainbow: Nisha Rokubou no Shichinin review
Although the title maybe misleading, okay wait, it is misleading but guys, read the summary. I picked this Manga up, thinking it was worth a try and it really was worth a try.
We meet 6 inmates going to a reform facility (juvenile hall) in 1955, some innocent (in my eyes) others not so, however the horrors that lies ahead of them would make you shiver and shake. Taking his time to flesh out his characters, the writer did a most outstanding job, he didn't rush and in doing so, you'll find complex personalities, realistic pasts and you'll see the characters as people. Not just characters your reading about but actual people that you can relate to and connect with, walking a mile in their shoes is as easy as blinking your eyes. The art was realistic, right down to the eyes. Proportionate without a doubt with detail deserving applause since stories with this much detail are few and far between. Almost like a painting, the art is noteworthy. Two thumbs up, definitely not for the fainthearted; not anyone can stomach this beauty but it left a huge impression on me and I think if you have a chance to read it, do so and when your done you'll see what I mean. |
Rainbow: Nisha Rokubou no Shichinin review
Review written in French, then translated by a deep learning software (because I'm lazy to do it myself and with mid-term exams I don't have the time, although I can do it).
English part : Rainbow, the work of Georges Abe illustrated by Kakizaki is certainly well known from this site, in a way, it seems to me, very positive. And if, undeniably, it is a success, the manga is nevertheless very imperfect, by its tone a little too manichean and some other aspects. The story we are told is fascinating, the beginning in the juvenile prison reminds Shamo/Coq de Combat in some aspects, the tone is however very different, the two stories having little else in common. It happens to be really touching at times, but sometimes there is a tendency for the author to overpathosize the pathos, which tends to undermine the narrative. On the other hand, credibility flies out the window a few times, which can come out of the story (I've done that a few times). A profoundly political work, which swears with the rest of the production, for better or for worse, because if as a narrative, it's rather pleasant, for the underlying message, the constant is quite different. In the end, all of this seems to be bathed in a naive, even vulgar idea of the inmates of juvenile prisons. But as said, the story is pleasant to follow, and if you want a more interesting work for its depiction of the juvenile prison environment, I recommend Shamo/Coq de combat (well, only the first 13 volumes, after that it's no use, it's crap ... but the beginning is really excellent). To come back to the story of Rainbow, it follows itself well, the characters who compose it are all endearing, and those adding to the group throughout the story are just as endearing. The events behind the story's progress are almost "to much", in the sense that one wonders if one day the group of heroes will be able to live in peace. But at the same time, knowing the manga industry, one understands why these choices are made, especially since, once again, it's fun to follow the story all the way through (you even really want to know what happens next at times). The style of Kakizaki, although it is not necessarily one of those I particularly like, is very successful and creates an atmosphere that fits the story. The confrontation scenes are intense, never a board seems strange or even failed (at least I didn't have that impression). The fact remains that it is a successful political and social pamphlet, certainly too politicized in certain aspects, all refined by the stroke of Kakizaki. A masterpiece, certainly not, but a good manga, pleasant to follow from beginning to end. _____________________________________________________________________________ French part : Rainbow, l’œuvre de Georges Abe illustrée par Kakizaki est de manière certaine bien connu de ce site, d’une manière, il me semble, très positive. Et si, indéniablement, c’est une réussite, le manga n’en est pas moins très imparfait, par son ton un peu trop manichéen et quelques autres aspects. L’histoire qui nous est contée est prenante, le début dans la prison pour mineurs rappelle Shamo/Coq de Combat par certains aspects, le ton est cependant bien différent, les deux histoires n’ayant pas grand-chose d’autre en commun. Ça arrive à être vraiment touchant par instants, mais on retrouve parfois une tendance de l’auteur à trop verser dans le pathos, ce qui a tendance à desservir le récit. Par ailleurs, la crédibilité s’envole à quelques reprises, ce qui peut sortir de l’histoire (ça a été mon cas à quelques reprises). Une œuvre profondément politique, qui jure avec le reste de la production, pour le meilleur comme pour le pire, car si en tant que récit, c’est plutôt plaisant, pour le message de fond, le constant est bien différent. Tout ceci semble finalement baigner dans une idée naïve, voire vulgaire, des détenus de prisons pour mineurs. Mais comme dit, l’histoire est plaisante à suivre, et si vous souhaitez une œuvre plus intéressante pour sa représentation du milieu carcéral pour mineur, je vous recommande plutôt Shamo/Coq de combat (enfin uniquement les 13 premiers tomes, après ce n’est pas la peine, c’est de la merde … mais le début est vraiment excellent). Pour revenir à l’histoire de Rainbow, elle se suit bien, les personnages qui la composent sont tous attachants, et ceux s’ajoutant au groupe au fil de l’histoire le sont tout autant. Les évènements à l’origine de l’avancement du récit font presque « to much », dans le sens où l’on se demande si un jour, le groupe de héros arrivera à vivre tranquille. Mais en même temps, connaissant l’industrie du manga, on comprend pourquoi ces choix, surtout qu’encore une fois, ça reste plaisant à suivre tout du long (on a même vraiment envie de connaitre la suite par moments). Le style de Kakizaki, bien qu’il ne fasse pas forcément parti de ceux que j’affectionne particulièrement, est très réussi et permet de créer une ambiance qui colle au récit. Les scènes d’affrontement sont intenses, jamais une planche ne semble étrange ou bien même ratée (enfin je n’ai pas eu cette impression). Reste que c’est un pamphlet politique et social réussi, certainement trop politisé par certains aspects, le tout affiné par le trait de Kakizaki. Un chef d’œuvre, certainement pas, mais un bon manga, plaisant à suivre de bout en bout. |